That's a nice aphorism, but it's too vague; obviously we wouldn't condone artists breaking rules against child abuse or murder. Figuring out where to draw the line is the hard part.
One could argue that if an artist breaks a law to make a statement (about either the law itself or wider sociological issues), then your perspective of the morality of the act could be influenced by whether or not you agree with the artist's statement.
Okay, fair point. I'll revise: the job of an artist is to break the rules intelligently.
Also, I think you're conflating legality and morality. I can think of situations for all 8 cases of (legal|illegal)(moral|immoral)(agree|disagree). However, you're probably right that agreement/disagreement influences morality judgments.
So probably neither Raphael nor obviously Murillo nor Gongora nor probably any romantic poet were artists. Not to talk about the Egyptians.
I do not know about Shakespeare 'breaking' any rules, or any pre-XIX Century painter. Or the Greeks, you know? What rules did the Parthenon's architect break? Or the sculptor of the Laocoon group?
The 'breaking rules' stuff is all very well for some things but it is not the definition of art. Please.
(Spanish examples because I am a Spaniard, but you understand).
Oups? I do not get this answer and never was my intention to be incivil. Mmh? Sorry if I hurt you but I was just being as clear as possible. And as assertive as the sentences I was reying to.
Possibly the 'please' in my comment is paternalistic, but then again your definition of the job of an artist is quite simplistic. So it may not be paternalistic but a plea for sensible speculation.
Alright, thanks for taking me seriously. I'm feeling a bit touchy today. I think the problem is that I'm using the words artist, job, rules, authority, and creativity in a very liberal way.
I guess my general point is that to be an artist, you have to be creative. To be creative, you have to do something new. To do something new, you have to depart from what exists in some way. Whatever exists can be called authority, tradition, or "the rules". And then something new is a challenge to that authority. If you build a skyscraper in a town with no skyscrapers, you are challenging authority, even if all the other towns have skyscrapers. When parents make a baby, it's a creative act, and the baby ends up challenging the authority of the parents; the baby breaks the existing rules of the family structure. It's the same with the work that an artist does. It doesn't have to be socially rebellious in nature. An expression of beauty that has not been seen before is breaking the rules about the limits of beauty.
Even more generally speaking, when an artist does manage to break the rules, they end up challenging our preconceptions of what can be - these preconceptions are the true "rules" - and it opens us up to a deeper experience of the world. As examples, anything that creates a feeling of awe, anything that touches on sublime beauty, is operating on this level. I think if you look closely, all of the artists you named are working in this way; it's not mere repetition of what came before.
I think it's an artists job to get the viewer to take pause and reflect. Whether that means reflecting on the state of society, the human condition, sexuality, property owner rights, or the raw beauty and majesty of nature, doesn't really matter.
One could argue that if an artist breaks a law to make a statement (about either the law itself or wider sociological issues), then your perspective of the morality of the act could be influenced by whether or not you agree with the artist's statement.