Charli XCX was around before PC Music, but the sound she is known for and became famous for originated from PC Music. The fact that she delivered a bit of "minor popstar" cred to them is fine, but the key to my point is that they determined the sound that made her iconic.
Sophie was an example. I didn't see it necessary to talk about all the artists involved in PC Music to make the point that the producers on the label pioneered the sound.
Look at the credits for her albums. She had producers and writers credited on every single song. This IS a lot of help. You're acting like she just did a couple of collabs with AG Cook and that's it. She had many different people helping her on the actual composition and production of every single song.
This is the point being refuted -- that the popstars are geniuses responsible for carrying the burden of their rise. It's mythology. The reality is that they bring performance skills and charisma to the table, some non-awful lyrical skill, and then the lion's share of actually making the music work is done by producers and writers. They would be nowhere without the producers. The producers would be nowhere without the popstars. But it's the most common poptimist mistake to confuse the popstar's charisma for the producer's mastery.
Your point is clear, but Charli does a lot of production on her albums, so I'm not sure she's the one to make this point about. She's not a once in a lifetime producing genius like Sophie, but she doesn't claim to be. Yung Lean did not produce the sound that made him famous either.
I think in the modern day, due to Internet, access to DAWs, etc, a lot of pop stars actually do/did much more of their own writing and production, see Billie & Finneas or Chappel Roan. It's just much more accessible, there's lots of pretty faces on social media so to really break out, you either need some real connections or real chops.
Sophie was an example. I didn't see it necessary to talk about all the artists involved in PC Music to make the point that the producers on the label pioneered the sound.
Look at the credits for her albums. She had producers and writers credited on every single song. This IS a lot of help. You're acting like she just did a couple of collabs with AG Cook and that's it. She had many different people helping her on the actual composition and production of every single song.
This is the point being refuted -- that the popstars are geniuses responsible for carrying the burden of their rise. It's mythology. The reality is that they bring performance skills and charisma to the table, some non-awful lyrical skill, and then the lion's share of actually making the music work is done by producers and writers. They would be nowhere without the producers. The producers would be nowhere without the popstars. But it's the most common poptimist mistake to confuse the popstar's charisma for the producer's mastery.