Isn't there simply a human tendency to try and find a magic formula in what is simply survivor bias?
As creative projects (software, painting...) we finish or satisfactorily achieve relatively few items. And except for the most repetitive of us, these achievements are pretty different. Wide space, chaos, few satisfactory products by comparison. That doesn't bode well for "magic recipe". All the way to "rules of thumb" that we take fun in violating.
So there are two issues in there: We have more taste than skill and so many of our attempts will disappoint us no matter what. And we will obsess on trying to find a magic formula - when it's rather likely that there isn't one. The "space" is large and chaotic and we might want to reassure ourselves instead that serendipity has something to do with it.
Is there then place for rules of thumb? Whatever let's us get to work in the morning, I guess. For me, I do like the recognition of past track record: with a bit of age hindsight, I know I can do it - no need to dispair. That is useful and reassuring. If I just try some more - in ever varying manners, it will happen.
One place for "rules of thumbs" is in them being tropes. We can get some impact on the viewer by violating them. There is a trope of learning the rules so you can violate them. For example a Rule of Thirds - can be fertile grounds for getting at the viewer. The rule doesn't do much for us, and we have no problem violating it, but our less savvy viewers might remember it and get one more whiff of meaning from the violation. And if we are less concerned with our own satisfaction and more interested in sales, we might pay attention to "what's popular these days" and produce some of that. Not all artists are dead set on personal achievement at the cost of sales. A slightly different look at such rules.
I follow a few landscape photographers on YouTube and really enjoy watching them go out into the field (whether it's an actual field or mountain or beach). They've got their art (at least their own style) so dialed in, that the technical details, the subject, the composition, those are almost a forgone conclusion. What matters at that point is light. And light is luck. The difference between an average image and an outstanding one lies in something beyond their control.
And when fortune smiles on them, they get positively giddy.
I really appreciate people who understand that they have to meet luck half way. Even though they've spent hours upon hours upon hours honing their craft, the thing that puts them over the hump is both unpredictable and uncontrollable.
Yeah, that doesn't mean we can't get lucky and run into the perfect circumstance. It means that when that circumstance happens, we'll be there ready to harvest it. Similarly, "the best camera is the one you carry".
And yes, these anti- magic formulas that dispell the idea of magic formula, are magic formulas.
> And when fortune smiles on them, they get positively giddy.
Yes! This is a great pleasure. Satisfaction. There is one series in particular I work on that operates like this. I'm just ready for it - don't even look for it, not anymore - but when I run into the "circumstance", that's a great feeling. And I'm ready for it.
In engineering or software there is still that idea of the back-burner stuff that does need to be done. This idea of staging or starting what needs to be done at the end of the previous day. So that you have something relatively mindless to get you launched the next morning. I also know that anti- "magic rule", even though it's one I have a hard time keeping to.
As creative projects (software, painting...) we finish or satisfactorily achieve relatively few items. And except for the most repetitive of us, these achievements are pretty different. Wide space, chaos, few satisfactory products by comparison. That doesn't bode well for "magic recipe". All the way to "rules of thumb" that we take fun in violating.
So there are two issues in there: We have more taste than skill and so many of our attempts will disappoint us no matter what. And we will obsess on trying to find a magic formula - when it's rather likely that there isn't one. The "space" is large and chaotic and we might want to reassure ourselves instead that serendipity has something to do with it.
Is there then place for rules of thumb? Whatever let's us get to work in the morning, I guess. For me, I do like the recognition of past track record: with a bit of age hindsight, I know I can do it - no need to dispair. That is useful and reassuring. If I just try some more - in ever varying manners, it will happen.
One place for "rules of thumbs" is in them being tropes. We can get some impact on the viewer by violating them. There is a trope of learning the rules so you can violate them. For example a Rule of Thirds - can be fertile grounds for getting at the viewer. The rule doesn't do much for us, and we have no problem violating it, but our less savvy viewers might remember it and get one more whiff of meaning from the violation. And if we are less concerned with our own satisfaction and more interested in sales, we might pay attention to "what's popular these days" and produce some of that. Not all artists are dead set on personal achievement at the cost of sales. A slightly different look at such rules.