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Because it's meant for editing, to be able to cut anywhere without re-encoding. So it needs to be all I-frames.

And you're going to use a very high bitrate.

This is way more space than consumer codecs use. But still way less than uncompressed video.



I’m struggling to imagine a use case for removing bits of a video and then saving that intermediate back out without editing or reencoding but if that’s what a video editing workflow calls for then fair play!


you just described pretty much every single modern day video capture. pretty much all of the dslr/mirrorless cameras are capturing a higher bitrate h.264 as source.


How would you edit a sports highlights package?


shudder, uncompressed. i have nightmares of v210




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