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I haven’t read the entirety of his manifesto, but his ideas always struck me as typical narratives that resonated with people’s anxieties about modernity.

A bit of a bait and switch. Get attention with something shocking and violent, then appeal to worries through apocalyptic boogeymen. The solution, of course, is a sense of comforting tradition that the naturalness of the past is safe. A killer combo!



An interesting observation!




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