>"Drawing from the right side of the brain" is basically just a brain hack to allow a person to essentially trace what is in front of them.
I really don't agree with this sentiment mostly due to the way it is voiced. Yes, the core of "drawing on the right side of the brain" is learning to see objectively and draw what you see. I wouldn't call that a "brain hack" or say that is "essentially tracing" what's in front of them (since "tracing" is kind of a dirty word in art context). Even if it were, that by itself is a very valuable thing to a lot of people, since a lot of styles of drawing and painting boil down to essentially just that, whether it's drawings of nature, portraits, or still lives.
I would say that learning to see is a fundamental drawing skill and this book teaches you valuable things by forcing you to stop and consider what things actually look like.
Of course, that by itself isn't sufficient, but it doesn't need to be. Nobody is suggesting that someone use this book as their only resource. But I do think it's a good introductory book for people who have very little to no experience drawing.
Agreed. I'm a pretty solid artist who doesn't learn well from others, and I'll still praise the book. It had another lesson in it that I never see mentioned, one that was expanded on in Drawing on the Artist Within. Our mind has task managers that constantly assess what we're doing. They do scheduling, handle cost benefit analysis, etc. For someone who doesn't already have the right aptitudes, this can lead to a nagging voice in the back of your mind telling you that you aren't doing a good job, this is boring, you're wasting your time. Getting people to use some simple brain hacks to stop listening to their preconceptions and just draw what they see can bypass these issues long enough for some people to see that they're being their own worst enemy. It isn't a good book to teach you how to draw. It's there to help make sure you don't give up the moment you start.
I really don't agree with this sentiment mostly due to the way it is voiced. Yes, the core of "drawing on the right side of the brain" is learning to see objectively and draw what you see. I wouldn't call that a "brain hack" or say that is "essentially tracing" what's in front of them (since "tracing" is kind of a dirty word in art context). Even if it were, that by itself is a very valuable thing to a lot of people, since a lot of styles of drawing and painting boil down to essentially just that, whether it's drawings of nature, portraits, or still lives.
I would say that learning to see is a fundamental drawing skill and this book teaches you valuable things by forcing you to stop and consider what things actually look like.
Of course, that by itself isn't sufficient, but it doesn't need to be. Nobody is suggesting that someone use this book as their only resource. But I do think it's a good introductory book for people who have very little to no experience drawing.